Studio Practices

8 Ideas for a Safer Art Room (Ep. 540)

What would you say is the most dangerous part of your art room? In this solo episode of Art Ed Radio, host Tim Bogatz explores the everyday systems, routines, tools, and materials that can create risk in a busy art room. From crowded supply stations and blocked walkways to sharp tools, kilns, dust, chemicals, and cleanup routines, Tim shares practical strategies to make your classroom safer without limiting creativity or experimentation. He focuses on eight ideas you can implement in the near future, along with simple changes that can make safe choices easier for you and your students.

Resources and Links

Transcript

Tim Bogatz: What would you say is the most dangerous part of your art room? Is it the paper cutter? Is it the kiln? Is it the sink at cleanup time? Or maybe it is the storage closet where all of your sharp tools, adhesives, and mystery materials seem to multiply without you even noticing.
Maybe it is the moment when you say, “Okay, you can get your supplies,” and suddenly thirty students are moving in thirty different directions.
The reason I ask is that I wanted to talk about safety in the art room today. I have had a lot of listener questions about materials, safety issues, and things that teachers are simply nervous about in their art rooms. We have also had requests from administrators asking us to do a podcast about safety and creating a safe environment in the art room. I think it is time to do that.
Tim Bogatz: Today’s episode is going to dive into safety and talk about how we can make the art room a safer place for ourselves and our students.
As we know, an art room is a unique environment. Students are walking, sometimes running, and sometimes jumping. They are carrying things, cutting things, painting, building, washing, and drying. They are plugging things in, asking questions, changing seats, and helping one another.
Trying to keep track of all of that can be difficult because teachers are also managing materials, tools, time, cleanup, behavior, and everything else that happens during a normal day of teaching art.
Most of the time, that energy is exactly what we want. It is what makes the art room special. But all of those things happening at once can also create risks: a spill on the floor, a cord across a walkway, tools left out, scissors being carried incorrectly, a sink that gets clogged, or an overcrowded supply area.
None of those situations necessarily feels like a major emergency in the moment. However, small problems can become bigger problems when they happen in a busy environment where many things are happening at once.
Safety is not just about preventing cuts and spills or dealing with broken equipment. It is also about helping students move through the room confidently and making expectations clear. We need systems that reduce confusion, waiting, crowding, and frustration. We also need to make sure students with different needs can navigate the room safely and successfully.

Creative Risk and Physical Risk

Tim Bogatz: When we talk about creating a safer art room, we are not talking about removing all risk. We cannot do that, and we would not want to. We are also not talking about stifling experimentation or creativity.
We want students to take creative risks. We want them to try new materials, solve problems, and make work that surprises them. However, we want to separate creative risk from unnecessary physical risk.
A few small changes can make a big difference. You might create a better routine for getting tools, move a supply station so traffic flows more smoothly, teach students exactly where materials belong, build extra time into cleanup so students are not rushed, or finally report the equipment issues you have been avoiding.
Before we get into the specific ideas, take a quick mental walk through your art room. Picture what it looks like when students enter. Where do they put their belongings? Where do they sit? What happens when they need materials? Where do they go when they are carrying wet artwork? Where do they put tools when they are finished? What happens when something spills?
Also think about what happens when a student does not know where to go or what to do next.
Now picture a busy moment in class: a transition to work time, cleanup, or one class leaving while another class enters. Where do students bunch up? Where are the bottlenecks? Do you find yourself telling students to slow down, watch where they are going, or avoid putting something in a certain place?
Those moments are useful information. They are not evidence that you are doing everything wrong. They are clues that a system could be clearer or easier for everyone.
Let’s talk about some practical ways to make the art room safer by focusing on routines and tools, materials, movement and cleanup, maintenance, and emergency planning. As we go through these eight ideas, remember that you do not need to change everything at once. The goal is to notice what is happening in your room, identify an area or two that is more dangerous than you would like, and make a change that makes the safe choice easier.

1. Take a Safety Walk

Tim Bogatz: I think the first idea—walking through the room and taking a safety walk—is incredibly valuable. Walk through the room as if you were a student and look for blocked walkways, old or unstable furniture, cords, tools that are not where they need to be, spills or leaks near the sink, and bottlenecks around supplies or student work.
Think about where students enter and exit the room. Notice any areas where students have to squeeze past one another or carry materials through crowded spaces.
For a while, I was notorious for blocking the entryway in my classroom. We had a large entryway that could have been a great place for traffic to flow. Instead, I thought, “This is a great place to keep sculptures.”
It was a convenient place to keep sculptures, but it was not the safest place for foot traffic or for the sculptures themselves. Eventually, I realized there were better places to store things. The entryway needed to remain a clear walkway.
Think about the areas in your own room where you find yourself thinking, “I should fix that eventually,” or, “That is probably a problem.” Make a quick list of things you could clean up or rearrange.
If you have a chair with a wobbly leg that you have not reported to the custodial staff, add that to your list. Small issues like that are part of the safety picture.
Walk through everything in your room and consider what you can do to make the space smoother and safer for everyone.

2. Establish Routines for Distributing Materials

Tim Bogatz: A lot of accidents happen during transitions rather than while students are sitting and making art. When students are moving around the room, there are ways to make the process cleaner, calmer, and safer.
Think about your routines for getting supplies. If you have not established routines yet, teach students how to carry wet materials, how to carry sharp materials, how to use the sink properly, how to return tools, and how to ask for help when they do not know what to do.
Make sure students know how to get your attention and how to ask for assistance.
It is also important to think about bottlenecks in the room. Make sure the classroom flows when students are getting supplies, returning to their tables, standing up, or turning in work. Look for obstacles and areas where too many students are trying to move through the same space.
If you can arrange things more effectively, the room will be safer for students and easier for you to manage.
We talk all the time about teaching routines, but it is worthwhile to make sure you have routines for each step of the process. Think through the entire process, from getting supplies to turning in artwork, and teach routines for everything in between.

3. Make Tool Demonstrations a Priority

Tim Bogatz: There are many dangerous tools in the art room, but there are also many fun and useful tools. Sometimes we assume students know how to use them when they do not.
Maybe they have never seen a particular tool before. Maybe they have used it, but it has been a long time. Maybe they were never taught how to use it properly.
Even if a tool seems simple, take the time to show students the right way to use it. If students have used the tool before, demonstrate the way you want them to use it in your classroom.
For example, maybe you teach high school and your students used linoleum cutters in middle school. If you have a different way of showing them how to hold and use the cutters, demonstrate that method.
Show students what the tool is designed to do and what it is not designed to do. Show them how to carry it, how to use it, and how to put it away. Demonstrate common mistakes and explain why those mistakes can be dangerous.
Also show students what to do if something goes wrong. What should they do if a tool breaks? What should they do if they make a mistake? When should they stop and ask for help?
This applies to linoleum cutters, scissors, X-Acto knives, hot glue guns, needles, staplers, pottery tools, and any other tool students use in your classroom.
Take the time to demonstrate the right way to use tools, and make sure students know how to ask for help.

4. Add More Labels

Tim Bogatz: I love labels everywhere. If you are a longtime listener of the podcast, you know how often we talk about labels and how much they can increase student independence.
Clear labels reduce repeated questions and unnecessary movement. They also help students return materials to the correct locations.
Label supply locations, tool storage, wet materials, dry materials, recycling, and trash. If there are materials students need permission to use, label those locations as well. Then teach students the routine for checking out or requesting those materials.
Do not rely only on words. Add pictures to your labels when possible. Make the placement consistent, too. If labels are on the bottom of one cabinet, place them on the bottom of the other cabinets so students know where to look.
Labels can support students in many different ways. They are not just about keeping the room organized or making it look better. Labels help students make safer choices and work more independently.

5. Take Ventilation, Dust, and Chemicals Seriously

Tim Bogatz: There are many art materials that require extra care, especially when you are teaching older students or working in a secondary art room.
You may be using sprays and aerosols, solvents, glazes, kilns, plaster, clay dust, pastel dust, or materials that create dust during sanding. There is a lot to consider.
I am not going to discourage you from reading the safety data sheets for your materials. More importantly, make sure you know what you are doing. Do not guess.
If you need to do research or ask someone for help to make sure you are providing a safe environment, do that. Follow product instructions. Use appropriate ventilation. Move activities outdoors if necessary, and use protective equipment when it is appropriate.
Do not improvise. Do not guess. If you do not know how to use a material safely, do your research before introducing it to students.
Also remember that “nontoxic” does not necessarily mean safe for everyone in every situation. Make sure you understand how to use each material, what the potential risks are, and what you can do to reduce those risks.

6. Plan for the Most Likely Emergencies

Tim Bogatz: This idea is more for teachers than students. I do not want to stress you out or cause anxiety. You do not need to imagine every possible disaster.
Instead, start with the issues that are most likely to occur in an art room: cuts, minor burns, spills, broken glass or tools, allergic reactions, and equipment malfunctions.
Know where your first-aid supplies are located. I always kept a small first-aid kit in my desk for easy access. If an issue is more serious, know where to go and, more importantly, who to call.
We have all watched the bloodborne pathogens videos during back-to-school professional development, so hopefully those lessons have stayed with us. On a serious note, make sure you know which students may need additional help and who can assist you in an emergency.
Know what to do if something spills. Which spills require immediate attention? What is the process if you need to evacuate the room? If there is an incident, what documentation needs to be completed?
Make sure this information is easy to find and easy to reference. Being prepared and thinking through common issues ahead of time can help you respond calmly and effectively.

7. Inspect and Maintain Your Equipment

Tim Bogatz: It is important to have a maintenance routine for the different equipment and furniture in your room. That includes kilns, electrical cords, paper cutters, easels, shelves, cabinets, ventilation systems, tables, stools, and storage areas.
If you notice something is wrong during your safety walk, report it. If a table is wobbly, a stool is uneven, or a leg is broken, communicate that to the custodial staff.
You do not want a student to fall over and then think, “I was going to mention that.” Do not wait for an accident. Make a note of issues and stay in communication with the people who can address them.
Kilns can be especially intimidating if you have never worked with one before. There is always more to learn about using, maintaining, and caring for a kiln safely. You may also need to have a professional inspect or service your kiln periodically.
If you are a member of The Art of Education University Pro, the Pro Learning library includes a Pro Pack on critical kiln safety. It covers the basic processes for firing a kiln, how a kiln works, and tips for safely setting up and maintaining the kiln and its surrounding area.
The Art of Education University Pro includes a professional development library created for art teachers. Each Pro Pack is led by expert educators who understand the realities of the art room and includes practical strategies and downloadable resources.
You can learn more at theartofeducation.edu/pro.
The kiln can be intimidating, but it is learnable and manageable. It is worth taking the time to understand how it works and how to care for it properly.
For equipment maintenance, pick one day each month to do a quick five- or ten-minute check. Make sure the sink is not leaking, cabinet doors are secure, stools are stable, and everything is working as it should.
A cabinet door may seem like a minor issue, but if it falls off and lands on a student’s foot, it becomes a serious problem. Notice those issues when they arise, report them, and learn the process for getting things fixed in your room.
You might choose the first Friday of every month, the tenth of the month, or the last day of the month. The specific day does not matter as much as creating a routine you can follow.

8. Make Safety Part of Studio Culture

Tim Bogatz: The last idea for creating a safer art room is to make safety part of the studio culture.
You can talk with students at any grade level about making safe choices, using materials safely, and being aware of the people around them.
Students can help identify risks. They can help lead cleanup, review expectations for handling and storing tools, and report broken equipment. When safety and responsibility become part of the normal routine, students become active participants in creating a safer environment.
Making safety part of the studio culture creates a better environment for everyone.
Tim Bogatz: That wraps up our eight ideas for creating a safer art room.
I am not trying to get you to overhaul your entire studio all at once. Start with one small area. Walk through the room and identify a couple of risks. Then make a change.
Maybe you need to fix a storage problem or a traffic problem. Maybe you need to review one tool routine with your students. Maybe you need to add a few labels. Maybe you need to finally report the broken table you have been avoiding.
Any of those changes can help. Choose one or two things you can improve in your art room and work toward making the environment safer for your students and yourself.
Keep working on your routines, organization, and maintenance, and you will be well on your way to creating a safer art room.

Articles and podcasts are opinions of professional education contributors and do not necessarily represent the position of the Art of Education University (AOEU) or its academic offerings. Contributors use terms in the way they are most often talked about in the scope of their educational experiences.